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In a 1999 Salon article on the subject, a psychologist asked for comment guesses that the fantasies of GTS aficionados might have something to do with a dominant mother figure in their past.
An adventurous search leads to countless images of tiny men being picked up and played with by enormous, scantily clad women, crushed between their toes, or crawling into their orifices like an X-rated harbor some latent macrophilia?
It would certainly make for a great image, though, and I’d bet money somewhere on the internet someone’s working on bringing it to fruition.
A shocking video shows the bizarre moment a woman walks naked through a terminal inside Atlanta's Hartsfield-Jackson International Airport.
Later trailers revealed the giant women to be a running visual theme in the universe’s late Sin City, with eerie shots of dust-covered, gargantuan nudes frozen in submissive poses, as if the people behind the Korova Milk Bar had been given a substantial public art grant circa 2025. The neon-lit den of vice from Steven Spielberg’s critically divisive sci-fi fairy tale is a place where seemingly every desire can be satisfied; one can procure the services of a robot prostitute, or step into a booth where Robin Williams Googles stuff for you.
For David (Haley Joel Osment) an android boy preoccupied with winning back the love of his mother, Rouge City is full of maternal possibilities, as evidenced by the giant pair of splayed female legs that welcome him at the entrance.